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The
One Queen of Salsa:
Celia Cruz
Celia Cruz (October 21, 1925 – July 15, 2003) was an
Afro-Cuban-American salsa singer who spent most of her career living in
New Jersey, and working in the United States and several Latin American
countries. Cruz was one of the most successful Cuban performers of the
20th century, with twenty-three gold albums to her name and has earned
the moniker "La guarachera de Cuba".
Leila Cobo of Billboard Magazine once said "Cruz is indisputably the
best-known and most influential female figure in the history of
Afro-Cuban music." Cruz once said in an interview "If I had a chance I
wouldn't have been singing and dancing, I would be a teacher just like
my dad wanted me to be".
Latin music icon Celia Cruz, the
"Queen of Salsa," died on a Wednesday afternoon after battling cancer,
her manager said. She was believed to be 77 or 79 years old.
Friends and her manager, Omar Portillo, said she passed away quietly at
5:15 p.m. "I am in a state of complete shock and sadness. This is the
end of an era," said Aurora Flores, a former writer for Billboard
magazine who studies the Latino music industry. Known as "The Queen of
Salsa," Cruz's influence went well beyond the dance floor and music
studio, as her style, creativity and success established her not only as
an innovative entertainer but also as an ambassador of Latino culture.
She helped reinvent the sound of modern Latin music, with its tropical
background and drumbeats that set-off swift, hip-shaking, swirling and
whirling dance moves for more than half a century.
While she always refused to give her age, close friends estimated Cruz
was about 79 at the time of her last performance, a private gathering in
March in New York, according to her publicist Blanca LaSalle.
She had often told reporters she would die on stage, screaming her
trademark catcall "Azucar!" -- sugar, in Spanish -- to a loving
audience. But she spent her final days at her home in Fort Lee, New
Jersey, trying to recover from a December surgery to remove a brain
tumor.
In more than five decades of performing, during which she released more
than 70 albums and appeared in 10 movies, Cruz scooped up many of
music's highest accolades, including five Grammys and two Latin Grammys.
She also enjoyed major and frequent tributes from outside the music
industry, including honorary doctorates from Yale University, Florida
International University and Miami University; a National Medal of Arts,
the United States' highest honor for an artist; and a star on
Hollywood's Walk of Fame. Streets in New York, Mexico, Costa Rica and
Miami, Florida, bear her name.

Clearly, Cruz came a long way from her childhood in Havana, Cuba, when
she began her musical career singing traditional Cuban music on city
street corners. In 1950, Cruz replaced the lead singer of the band La
Sonora Matancera. It was her big break, and she became one of Cuba's
brightest stars.
After Fidel Castro tightened his grip on Cuba in 1960, La Sonora
Matancera went on a scheduled tour of Mexico; instead of returning to
Cuba, the band fled to the United States. Cruz became a U.S. citizen in
1961 and refused to return to her homeland as long as the Communist
leader remained in power.
In 1962, she married La Sonora Matancera trumpet player Perdo Knight,
who would later serve as her manager and would become a central figure
in her music, inspiring numerous songs about the wonders of a happy
marriage. The couple celebrated their 41st wedding anniversary Monday
and Knight was at her side when she died, her publicist told The
Associated Press.
She joined forces stateside with legendary drummer Tito Puente. Together
they helped popularize Latin music for U.S. and European audiences and
contributed significantly to the creation of the Latin music boom known
as "salsa."
Besides her work with Puente, Cruz's collaborations with Johnny Pacheco,
Willie Colon, Pete Conde, Ray Barretto, Sonora Poncena and Fania All
Stars are considered Latin music classics.
Cruz remained in the spotlight until late in her life, releasing a high
volume of albums and filling out a frenetic schedule of concerts, large
and small. In her later years, she became a darling of radio disc
jockeys at a time when Spanish-language radio stations in many major
cities began beating their English-language counterparts in ratings.
And Cruz's fame cross cultural boundaries when she began teaming up with
popular American talents such as Patti Labelle, David Byrne and Dionne
Warwick.
In a 2002 interview, Cruz told reporters: "My life is singing. I don't
plan on retiring. I plan to die on a stage. I can have a headache but
when it's time to sing and I step on that stage there is no more
headache."

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